{"id":9108,"date":"2015-09-09T00:00:00","date_gmt":"2015-08-26T00:00:00","guid":{"rendered":"https:\/\/www.museonovecento.it\/eventi\/georges-didi-huberman-ninfe-sfuggenti\/"},"modified":"2022-05-30T13:40:11","modified_gmt":"2022-05-30T13:40:11","slug":"georges-didi-huberman-ninfe-sfuggenti","status":"publish","type":"eventi","link":"https:\/\/www.museonovecento.it\/en\/eventi\/georges-didi-huberman-ninfe-sfuggenti\/","title":{"rendered":"Georges Didi-Huberman, Elusive nymphs"},"content":{"rendered":"\n<div class=\"wp-block-m900-blocks-editoriale wp-control-block parent-block wp-block-marginate  m900-block-container-medium\" id=\"f5e29ec0-595c-4cc5-972c-8be894850bdc\"><div class=\"columns-wrapper-editoriale\"><div class=\"align-col-dx columns-container has-1-columns\">\n<div class=\"wp-block-m900-blocks-content-column-block\"><div class=\"inner-column\">\n<p class=\"is-style-txt-h2 has-primary-gray-color has-text-color wp-block-paragraph\"><strong>Wednesday 9 September <\/strong>at 18.00 &#8211; Elusive Nymphs &#8211; Lectio Magistralis<\/p>\n\n\n\n<p class=\"is-style-txt-h2 has-primary-gray-color has-text-color wp-block-paragraph\"><strong>Palazzo Vecchio, Salone dei Cinquecento,&nbsp;<\/strong><a href=\"http:\/\/www.firenzesuonacontemporanea.it\/it\/calendario\/festival-2015\/didi-huberman.html\"><strong>Firenze suona contemporanea<\/strong><\/a><\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-m900-blocks-editoriale wp-control-block parent-block wp-block-marginate  m900-block-container-medium\" id=\"50b0887c-b637-4d76-b3b0-d66d663a0921\"><div class=\"columns-wrapper-editoriale\"><div class=\"columns-container has-2-columns\">\n<div class=\"wp-block-m900-blocks-content-column-block\"><div class=\"inner-column\">\n<p class=\"is-style-txt-h3 wp-block-paragraph\">Georges Didi-Huberman is a French art historian whose research embraces the visual arts, art historiography, psychoanalysis, the humanities and philosophy. He studied art history and philosophy at the Universit\u00e9 de Lyon and earned his doctorate from the \u00c9cole des Hautes \u00c9tudes en Sciences Sociales (EHESS) in Paris in 1981, under the guidance of Louis Marin. In his work Didi-Huberman deepens three themes: a critical reading of the tradition of art history, the localization of an alternative philosophy of images in the work of Sigmund Freud and Aby Warburg, and studies in the poetics of contemporary art.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-m900-blocks-editoriale wp-control-block parent-block wp-block-marginate  m900-block-container-medium\" id=\"9e7e0a87-9eef-4a11-8e1a-a226e31bac8f\"><div class=\"columns-wrapper-editoriale\"><div class=\"columns-container has-2-columns\">\n<div class=\"wp-block-m900-blocks-content-column-block\"><div class=\"inner-column\">\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-m900-blocks-content-column-block\"><div class=\"inner-column\">\n<p class=\"has-text-align-right is-style-txt-h3 wp-block-paragraph\">Focusing on the history and theory of images as well as the history of anthropology and psychoanalysis from the Renaissance to contemporary art, Didi-Huberman emphasizes the problems of iconography in the nineteenth century and their reception and transformation in the artistic currents of the twentieth century. In his books on the metapsychology of the image (&#8220;Ce que nous Voyons, ce qui nous regarde&#8221;, &#8220;What we see, what we look at&#8221; of 1992), or Modern Nymph, Essai sur le drap\u00e9 tomb\u00e9, &#8220;Modern Nymph. Essay on the fallen drapery&#8221;) Didi-Huberman assumes a hermeneutic and phenomenological perspective and reflects on the works of Aby Warburg, Walter Benjamin and Georges Bataille in reference to an aesthetic of reception and production.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-m900-blocks-editoriale wp-control-block parent-block wp-block-marginate  m900-block-container-medium\" id=\"c4a4cefa-b422-463f-8053-662c8e1534b1\"><div class=\"columns-wrapper-editoriale\"><div class=\"columns-container has-2-columns\">\n<div class=\"wp-block-m900-blocks-content-column-block\"><div class=\"inner-column\">\n<p class=\"is-style-txt-h3 wp-block-paragraph\">With his investigations, Didi-Huberman contributes significantly to broadening the methodologies of art history and fine arts. His investigations into the implications of psychoanalysis for the study of images, in particular on the concept of symptom, open, both for the history of art and fine arts, towards a theory and philosophy of the image that does not neglect the psychological aspects of art and gaze.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-m900-blocks-editoriale wp-control-block parent-block wp-block-marginate  m900-block-container-medium\" id=\"fd00e01b-3eaa-4987-bce0-eb97581d5a6e\"><div class=\"columns-wrapper-editoriale\"><div class=\"columns-container has-2-columns\">\n<div class=\"wp-block-m900-blocks-content-column-block\"><div class=\"inner-column\">\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-m900-blocks-content-column-block\"><div class=\"inner-column\">\n<p class=\"has-text-align-right is-style-txt-h3 wp-block-paragraph\">Extract from the lecture magistralis &#8220;Elusive Nynphs&#8221;<\/p>\n\n\n\n<p class=\"has-text-align-right is-style-txt-h4 wp-block-paragraph\">&#8220;\u2026 Whether they are carved in marble, fixed under the color of the painter or they are parading out of the cinema projector, the images flow and flow: they live on a backwash movement that makes them very close (caressing, intimate) and very far away (mysterious, withdrawn). Such is their essential quality &lt;>, as it is found in every Birth of Venus. The images rotate, they move here and elsewhere, they withdraw and come back to us until they rewind in the&lt;> of our unconscious psychicisms, outside of our sight, since at the center of ourselves\u2026<\/p>\n\n\n\n<p class=\"has-text-align-right is-style-txt-h4 wp-block-paragraph\">\u2026 Ninfa fluida \u00e8 cos\u00ec: sempre sfuggente, ma sempre presente. Viene e ritorna. Sopravvive. Infatti ci\u00f2 che dura di pi\u00f9, pi\u00f9 a lungo, non \u00e8 un fluido o &lt;> fluida? Nel lungo confronto tra mare e promontorio \u00e8 certamente il promontorio che un giorno sprofonder\u00e0, anche se oggi lo vediamo l\u00ec a incutere soggezione, enorme, fallico. Il mare &lt;&lt;durer\u00e0>> proprio perch\u00e9 non \u00e8 &lt;>, perch\u00e9 non si impone come un blocco e trae la sua forza solo dalla sua capacit\u00e0 di ritirarla, in questo incessante movimento di risacca, di flusso e riflusso. Ninfa fluida \u00e8 cos\u00ec: antica e perduta, eppure sempre presente, qui, fino a noi. Quindi nostra contemporanea, ma sempre, nel suo stesso desiderio, alla ricerca del tempo perduto\u2026&#8221; Georges Didi-Huberman <\/p>\n\n\n\n<p class=\"has-text-align-right is-style-txt-h4 wp-block-paragraph\">Georges Didi-Huberman<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-m900-blocks-editoriale wp-control-block parent-block wp-block-marginate  m900-block-container-medium\" id=\"1b8b8aee-7035-4654-9b2b-38b69a00d4b6\"><div class=\"columns-wrapper-editoriale\"><div class=\"columns-container has-2-columns\">\n<div class=\"wp-block-m900-blocks-content-column-block\"><div class=\"inner-column\">\n<p class=\"is-style-txt-h5 wp-block-paragraph\"><em>In collaboration with con <a href=\"http:\/\/institutfrancais-firenze.com\/it\">Institut Fran\u00e7ais Firenze<\/a><\/em><\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-m900-blocks-lista wp-block-marginate m900-block-container-medium parent-block\" id=\"accf3684-30db-4fb1-95ec-7a17053668aa\">\n<div class=\"wp-block-m900-blocks-accordion-header accordion-header-wrapper\"><div class=\"accordion-header-title\"><h4 class=\"txt-h2 accordion-title\">Event Area<\/h4><\/div><div class=\"accordion-opener\" data-toggle=\"collapse\" data-target=\"accordion-lista-10daa456-2b11-443c-8d07-7952b4163886\" aria-expanded=\"false\" tabindex=\"0\" role=\"button\"><span class=\"accordion-graph-el\"><\/span><span class=\"accordion-graph-el\"><\/span><span class=\"accordion-graph-el\"><\/span><span class=\"accordion-graph-el\"><\/span><\/div><div class=\"accordion-content-container\" id=\"accordion-lista-10daa456-2b11-443c-8d07-7952b4163886\"><div class=\"accordion-all-content-container\">\n<div class=\"wp-block-m900-blocks-accordion-content accordion-content-wrapper\">\n<p class=\"wp-block-paragraph\">T: +39 055 291014<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">segreteria.museonovecento@musefirenze.it<\/p>\n<\/div>\n<\/div><\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":0,"template":"","tipodievento":[87],"class_list":["post-9108","eventi","type-eventi","status-publish","hentry","tipodievento-talk-en"],"acf":{"data_inizio_evento":"2015-09-09","data_fine_evento":"2015-09-09","ora_di_inizio":"18:00","ora_di_fine":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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