Ragghianti and the Critofilm: Art, Criticism and Popularisation

Mercoledì 13 dicembre ore 17.30

Conference held by Paolo Bolpagni

With screenings of:
L’arte di Rosai (The Art of Ottone Rosai), 1957, 12 minutes
Deposizione di Raffaello (Raphael’s Deposition), 1948, 12 minutes
Antelami: Battistero di Parma (Antelami: The Baptistery of Parma), 1963, 13 minutes

Carlo Ludovico Ragghianti defined the critofilm as ‘art criticism (penetration, interpretation, reconstruction of the process proper to a work of art or an artist) produced by cinematographic means rather than with words’.

Admission is free of charge on a first-come, first-served basis. Admission to the museum is not included.